Race End

I’ve spent more than twenty years making films with small crews, thin resources, and people willing to take a chance together. I write for the actors in front of me, work in real places, and shoot with the edit in mind. That way of filmmaking has taught me to trust what we can find in the field: a performance, a street corner, a moment none of us could have planned. RACE END is my chance to build a feature and open up a story world at the speed we actually work. I want the film to feel discovered as it unfolds.

The story begins with a journalist who has spent decades investigating Havana Syndrome and finds himself confronting questions much bigger than the one he started with. How do we establish the truth when images, voices, and evidence can be manipulated? Who gets to shape what a community believes? Those questions reach into our work, our relationships, and our sense of agency. I don’t have neat answers, and I’m not making a film that pretends to. I’m a dramatist. I want to put people under pressure, follow the choices they make, and see what the story reveals. I hope you’ll come along for that exploration.